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Marlin owned two of the relics of The Nine: the Flying Blade and the Wyverntongue Chalice. He was slain by Cymmarraa at a hunting lodge and she took his Blueflame relics. Marlin fled Suzail when the War Wizards discovered he was the noble controlling the Blueflame ghosts. Jordan Bates, citing Riane Eisler and Terence McKenna. Instead of talking about patriarchy and all this, what we should be talking about is dominator versus partnership society. It shows that warfare and the war of the sexes are neither divinely nor biologically ordained. The great thing that Riane Eisler, in her book The Chalice and the Blade, did for this discussion was to de-genderize the terminology. The two spirits cut a bloody swath through Suzail much to the amusement of Manshoon. The Chalice and the Blade tells a new story of our cultural origins. Implications of The chalice and the Blade for the relation of archaeology to social science. From there, in 1399, as cited by historians, it went to Zaragoza, to the Royal Palace of the Aljaferia, donated by the community of monks of San Juan de la Peña to the King of Aragon, Martin I the Human (which, thankfully, gave to the monks of San Juan de la Peña in perpetually, another golden cup). Marlin retrieved the chalice from the palace with the help of his hirelings and, when he had possession of both items, called forth the spirits of Treth Halonter and Relve Langral and ordered them to kill a rival noble. The Stormserpent family owned the Flying Blade and Marlin's older brother had stolen the Wyverntongue Chalice as a drunken prank and hid it in the Chamber of Wyms Ascending in the palace. The spirits of several of The Nine were bound to objects and could be called forth by the objects' owner to do his bidding. The chalice stands for a style of social structure that Eisler calls the partnership model, in which relations between the sexes are understood primarily in terms of partnership rather than hierarchy. In 1479 DR, Marlin schemed with Manshoon, whom he thought was a palace courtier named Lothrae, to acquire as many of the artifacts of The Nine as possible. Eisler uses the symbols of chalice and blade to stand for two competing sets of values and models of society.